Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,   Related Paintings of CAVALLINI, Pietro :. | The Last Judgement (detail) rdgt | Nativity of the Virgin gsd | Last Judgement | The Last Judgement (detail) df | The Last Judgement (detail) hu |
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Louis Eysen
1843 - 1899 German painter and engraver. His family, which had moved to England in the 1840s, returned to Frankfurt am Main in 1850. He studied wood engraving with Alexander Stix (1819-93) at the St?delsches Kunstinstitut in Frankfurt and later achieved considerable success in this medium (e.g. Glade, 1868; see Zimmermann, p. 9). He was taught painting by Karl Hausmann (1825-86) and was influenced chiefly by contemporary French art. He first worked mainly in Berlin and then in Munich, where he met Otto Scholderer and Wilhelm Leibl, who painted his portrait (c. 1870; Frankfurt am Main, Stedel. Kstinst.). He studied with Leon Bonnat in Paris from 1869 to 1870. In 1873 he settled at Kronberg,
John James Audubon
1785-1851 Audubon, John James ~ Bobwhite (Virginia Partridge), 1825Audubon developed his own methods for drawing birds. First, he killed them using fine shot to prevent them from being torn to pieces. He then used fixed wires to prop them up into a natural position, unlike the common method of many ornithologists of first preparing and stuffing the specimens into a rigid pose. When working on a major specimen, like an eagle, he would spend up to four 15 hour days, preparing, studying, and drawing it.[53] His paintings of birds are set true-to-life in their natural habitat and often caught them in motion, especially feeding or hunting. This was in stark contrast with the stiff representations of birds by his contemporaries, such as Alexander Wilson. He also based his paintings on his own field observations. He worked primarily with watercolor early on, then added colored chalk or pastel to add softness to feathers, especially those of owls and herons.[54] He would employ multiple layers of watercoloring, and sometimes use gouache. Small species were often drawn to scale, placed on branches with berries, fruit, and flowers, sometimes in flight, and often with many individual birds to present all views of anatomy. Larger birds were often placed in their ground habitat or perching on stumps. At times, as with woodpeckers, he would combine several species on one page to offer contrasting features. Nests and eggs are frequently depicted as well, and occasionally predators, such as snakes. He usually illustrated male and female variations, and sometimes juveniles. In later drawings, he had aides render the habitat for him. Going behind faithful renderings of anatomy, Audubon employed carefully constructed composition, drama, and slightly exaggerated poses to achieve artistic as well as scientific effects.
Jackson Pollock
l912--1956,U.S. painter. He grew up in California and Arizona. In the early 1930s he studied in New York City under Thomas Hart Benton, and later he was employed on the WPA Federal Art Project. In 1945 he married the artist Lee Krasner. Two years later, after several years of semiabstract work stimulated by psychotherapy, Pollock began to lay his canvas on the floor and pour or drip paint onto it in stages. This process permitted him to record the force and scope of his gestures in trajectories of enamel or aluminum paint that veiled the figurative elements found in his earlier work. The results were huge areas covered with complex and dynamic linear patterns that fuse image and form and engulf the vision of the spectator in their scale and intricacy. Pollock believed that art derived from the unconscious and judged his work and that of others on its inherent authenticity of personal expression. He became known as a leading practitioner of Abstract Expressionism, particularly the form known as action painting. Championed by critic Clement Greenberg and others, he became a celebrity. When he died in a car crash at 44, he was one of the few American painters to be recognized during his lifetime and afterward as the peer of 20th-century European masters of modern art.